Open top end. Complex mids. Firm, controlled low end.
The centre of the Olemy range. The quintessential late-’50s voice.
The sound most players associate with a late-’50s PAF.
Notes bloom naturally with rich harmonic character. Chords remain full and balanced, with an open top end and a firm, controlled low end.
The coils follow original Leesona 102 screw patterns and late-’50s slug geometry, introducing subtle differences between the two coils. That interaction shapes the midrange complexity and open top end found in well-preserved original PAFs.
If you want the classic late-’50s voice, this is it.
| Position | DC Resistance | Inductance | Capacitance |
|---|---|---|---|
| Bridge | 8.0 kΩ | 4.75 H | 4.28 nF |
| Neck | 7.4 kΩ | 4.08 H | 4.93 nF |
Measured at 1 kHz
Each set is wound within defined electrical tolerances to hit a consistent tonal window.
I’ve played most of the big boutique PAF makers, Monty, OX4, ThroBak, Wizz, and in this guitar, these are my favourite.
The ’58 is the reference point in the range. Clarity. Depth. Versatility. No excess. No compromise. Choose once. Be done.